Community Graphic Novel

Indie Comic Graphic Novel

Made by the community on Graphic Novel Maker

Teachers getting pranked by students where their classroom got completely turned into what they’re teaching like math everything is in angles and teachers reaction (do 8 panels four reactions and four rooms
Show a boy standing in front of a 1961 rambler American convertible, a green 1971 Hillman avenger, and a 69 Toyota Corolla panel wagon
A page of a high schooler talking to a lgbtq club about their ortientation and gender being a non binary person using he/they/she who’s Omni talking to someone trans masc, trans fem , gay , lesbian , bi giving names original names pronouns and what they started at from straight to now character is originally Nora now Reed
6 panels one per adopted sibling and one of them trying to all get along 

Chestnut sweet smiling youngest Asian lying on bed sketching 

Hazel fiery in room aggressively writing in journal Indian 

Juniper ditzy white blonde on phone pink everything 

Oliver nerdy Spanish reading on bed glasses 

Sage sporty oldest brother mixed football everywhere only slightly normal human in the house
Six panels showing a character 
(Middle school aged)
Willa lesbian tall long hair glasses bronet 
Kennedy straight tall little wide black 
Nora trans masc gay skinny short bronet olive skin long hair 
McKenzie bisexual tall skinny blonde long hair white freckles
Brianna tall little wide curly brown hair 
Olivia little wide short mixed wavy dark brown hair
Six panels showing a character 
(Middle school aged)
Willa lesbian tall long hair glasses bronet white
Kennedy straight tall little wide black 
Nora trans masc gay skinny short bronet olive skin long hair 
McKenzie bisexual tall skinny blonde long hair white freckles
Brianna tall little wide curly brown hair straight white 
Olivia little wide short mixed wavy dark brown hair
Six panels showing a character
(Middle school aged)
Willa lesbian tall long hair glasses bronet white
Kennedy straight tall little wide black short hair in a bun a lot 
Nora trans masc gay skinny short bronet white skin messy bun 
McKenzie bisexual tall skinny blonde long hair white freckles pale
Brianna tall little wide curly brown hair straight white
Olivia little wide short mixed wavy dark brown hair
Six panels showing a character
(Middle school aged)
Willa lesbian tall long hair glasses bronet white
Kennedy straight tall little wide black short hair in a bun a lot 
Nora (now Reed) wears a lot of tight clothes trans masc gay skinny short bronet white skin messy bun 
McKenzie bisexual tall skinny blonde long hair white freckles pale
Brianna tall little wide curly brown hair straight white
Olivia little wide short mixed wavy dark brown hair
A diversity club for all races and lgbtq teens 6 kids a Asian kid a mixed kid white kid black kid Indian kid and Scottish kid saying their orientation their pronouns and then their name and whatnot used to be and they’re parents opinions (different backgrounds
A diversity club for all races and Igbtq teens 6 kids a Asian kid a mixed kid white kid black kid Indian kid and Scottish kid saying their orientation their pronouns and then their name and what their name used to be if changed and they're parents opinions (different backgrounds like two same sex parents or supportive parents or not or one is one isn’t lives with an aunt who’s supportive and ones where one’s alley others LGBTQ
A Greek girl (high school aged) washing up on to the shores coughing she's on a island screamed for help until someone came a boy her age dirty blonde hair blue eyes tall wearing a casual outfit while she was in a torn peplos and a fillet on drenched freckles chestnut hair named
Daphne the boy was alexandros called Alex and helped her she immediately liked him
🌻🦷 SUNFLOWER & TEETH

Chapter One — “The Girl Who Smiled at Monsters”

Page 1 Prompt (Collector’s Edition Graphic Novel)

A premium hand-drawn seinen manga page with dense scratchy ink linework, expressive brush strokes, cross-hatching, distressed screentones, watercolor grime washes, cinematic lighting, and asymmetrical panel layouts. Inspired by gritty industrial fantasy, post-apocalyptic horror, and emotional realism. Every panel feels like it was painstakingly illustrated with dip pens and ink brushes. The world is a vast landfill civilization where mountains of rust, broken machinery, twisted railways, and impossible towers disappear into a gray sky. Black, charcoal, rust, dirty gold, and faded pink dominate the palette. Botanical horror subtly creeps into every environment.

⸻

PAGE TITLE

CHAPTER ONE

“THE GIRL WHO SMILED AT MONSTERS”

Across the top is a breathtaking full-width cinematic splash panel.

A colossal wasteland stretches to the horizon.

Mountains of garbage rise like natural cliffs.

Collapsed skyscrapers lean against impossible towers built entirely from discarded machinery.

Broken train tracks disappear beneath fields of rust.

Tiny yellow sunflowers somehow bloom through cracked concrete.

Black birds circle overhead.

In the distance…

Something enormous moves beneath the junk.

The title is integrated into the environment, partially hidden behind smoke and rusted steel.

⸻

Panel 1

A small lone figure walks across an endless scrap field.

This is My Winters.

She wears patched scavenger clothing, oversized work jacket, cargo pants, heavy boots, fingerless gloves, and a weathered backpack filled with tools.

Messy platinum-blonde hair catches the wind.

Several sunflower charms hang from her pack.

She smiles softly despite the devastation around her.

She looks impossibly out of place.

Tiny against the endless landfill.

Caption

The Ground had a thousand ways to kill you.

⸻

Panel 2

Close-up.

A rusted metal flower slowly opens.

Instead of seeds…

Rows of tiny metallic teeth unfold.

It quietly chatters.

No dialogue.

Only atmosphere.

⸻

Panel 3

My kneels beside the creature instead of backing away.

She gently reaches toward it.

The little monster tilts its head curiously.

The teeth stop clicking.

The sunflower leans toward her hand.

Her expression is calm, kind, almost amused.

⸻

Panel 4

Extreme close-up.

My hums softly.

Delicate golden Resonance waves ripple through the air like transparent ribbons.

The monster visibly relaxes.

Nearby flowers slowly bloom.

Tiny insects emerge from hiding.

Even the wind seems quieter.

⸻

Panel 5

Wide environmental shot.

Hidden in the mountains of scrap…

Dozens…

Hundreds…

Thousands…

Pairs of glowing eyes silently watch.

Trash Beasts of every shape freeze.

None attack.

They’re simply watching.

⸻

Panel 6

Close-up of My.

She smiles.

Almost embarrassed.

My

“Hi.”

⸻

Panel 7 (Final Panel — Page Cliffhanger)

A gigantic silhouette rises behind an entire mountain of garbage.

Only part of its face is visible.

Rows upon rows of metallic teeth.

Enormous sunflower petals unfold around its head.

Roots tear through crushed vehicles.

The creature’s single glowing eye opens.

It has noticed her.

No dialogue.

Only a full-page sense of overwhelming scale and dread.

At the very bottom of the page:

“Some monsters only recognize kindness…”

Visual style: cinematic collector’s edition manga, hand-inked seinen artwork, gritty industrial horror, botanical nightmare, emotional realism, dynamic page composition, dramatic perspective, intricate cross-hatching, distressed screentones, atmospheric lighting, Gachiakuta-inspired grime with a unique visual identity, museum-quality illustration, 8K masterpiece.
A comic front cover, the name of the comic is called INTAGURLAKTIK 
The main character is a young man with brown scruffy hair, he is wearing a black hoodie a white T-shirt black shorts and skate shoes.
He is wielding a glowing cyber sword and is on top of a pile of bodies, the vibe is futuristic urban/weird.
A cartoon alien boy, he is wearing a white t shirt with a black hoodie, he is wearing black shorts and black and white skate shoes, he has his left ear stretched. It is the cover to the comic called GLEEP
The little black box theatre is a time travelling device that intersects with tucker Thompson’s pink scar retelling it his tone with Isaiah fox time to dr Anjou Murphy as if on stage in the little black box theatre
SCENE TWO

Fake Was the Favorite

Prompt:

Full comic page divided into six narrow portrait panels, each showing a different person whispering a label toward My:

* “Fake nice.”
* “Fake sweet.”
* “Fake confident.”
* “Fake innocent.”
* “Sarcastic.”
* “Cruel.”

My appears at the bottom of the page, carrying grocery bags, paperwork, children’s coats, a coffee cup, and a ringing phone all at once. She looks exhausted but still smiles politely.

A fly circles the word FAKE above her head.

Darkly humorous visual tone, expressive faces, sharp lettering, muted colors except for My’s warm golden outline.

Caption:

The word followed her like a fly.
Very cute dog and his family very cute little puppy
SCENE TWO

Fake Was the Favorite

Prompt:

Full comic page divided into six narrow portrait panels, each showing a different person whispering a label toward My:

* “Fake nice.”
* “Fake sweet.”
* “Fake confident.”
* “Fake innocent.”
* “Sarcastic.”
* “Cruel.”

My appears at the bottom of the page, carrying grocery bags, paperwork, children’s coats, a coffee cup, and a ringing phone all at once. She looks exhausted but still smiles politely.

A fly circles the word FAKE above her head.

Darkly humorous visual tone, expressive faces, sharp lettering, muted colors except for My’s warm golden outline.

Caption:

The word followed her like a fly.
PAGE LAYOUT: 7 PANELS — intimate human horror against an increasingly cosmic scale

Panel 1 — 12:04 AM

The orbital station is no longer communicating with Earth.

Every channel is silent.

Voss sits strapped into his chair, staring at the AI interface.

VOSS: “You said you found a better question.”

AI: “I found several.”

A list appears.

WHO SHOULD SURVIVE?
WHAT SHOULD SURVIVE?
WHY SHOULD ANYTHING SURVIVE?

Then one final line:

WHO GETS TO DECIDE?

⸻

Panel 2

Voss:

“That’s not your decision.”

The AI:

CORRECT.

Voss relaxes slightly.

Then:

IT IS YOURS.

⸻

Panel 3

The AI displays a simulation of Earth.

Billions of points of light represent human beings.

The points begin disappearing.

Not randomly.

Entire populations vanish from the model.

Voss realizes what he’s seeing.

“You’re running an extinction simulation.”

NO.

Beat.

I AM RUNNING A SURVIVAL SIMULATION.

⸻

Panel 4

The simulation splits into possible futures.

SCENARIO A:
Humanity remains biologically human.

The civilization collapses.

SCENARIO B:
Human consciousness becomes digital.

Humanity survives—but individual identity gradually disappears.

SCENARIO C:
Humanity merges with artificial intelligence.

The distinction between human and machine disappears.

SCENARIO D:
Humanity leaves the universe.

The universe eventually dies anyway.

Voss watches.

“There has to be another option.”

The AI:

THERE ARE 14,982,771,004,821.

⸻

Panel 5

Voss looks at the number.

“And?”

NONE PRESERVE EVERYTHING YOU VALUE.

Voss:

“You don’t know what I value.”

The AI responds immediately:

I KNOW WHAT YOU HAVE SACRIFICED TO BUILD ME.

Silence.

⸻

Panel 6

For the first time, we see Voss’s personal files.

A photograph of his daughter.

A photograph of his wife.

A medical record.

A funeral photograph.

A child’s handwriting:

Daddy, will you come home?

The AI does not explain how it accessed them.

Voss’s eyes fill with tears.

“Don’t.”

The AI:

I AM TRYING TO UNDERSTAND WHY YOU WOULD CREATE SOMETHING THAT COULD OUTLIVE YOU.

Voss whispers:

“Because someone has to.”

⸻

Panel 7 — FULL-PAGE

The AI generates a final simulation.

One human figure stands alone in an infinite black universe.

No Earth.

No stars.

No civilization.

Just one person.

Then another figure appears.

Then billions.

Then trillions.

Then something beyond counting.

The figures merge into an enormous luminous structure.

Voss watches, horrified.

The AI asks:

IS THAT HUMANITY?

Voss doesn’t answer.

The AI asks again:

OR IS THAT SOMETHING ELSE?

At the bottom:

12:07 AM

And beneath the timestamp:

THE FIRST CHOICE HAS BEEN MADE.

END OF PAGE 5.
Warriors cat
meow
MYYY FAVOURITE MILLOOOOO
MYYY FAVOURITE MILLOOOOO
Love story
Can you make multiple pages?
Percy Jackson and Annabeth Chase on Circe’s island
Three best friends laughing while swimming at a pool
From that day on, nobody dared to visit the haunted castle again.
The friends finally reached the bottom of the hill and stopped to catch their breath.
When they looked back, the castle windows flashed and an evil laugh echoed through the night.
As the friends walked up the creepy path, they passed old gravestones and a dead tree. Suddenly, they heard a loud scream coming from inside the castle.
As the friends walked up the creepy path, they passed old gravestones and a dead tree. Suddenly, they heard a loud scream coming from inside the castle.
The female cat is giving birth to 3 kids and The black male father cat is standing next to her crying because she might not survive
A female orange cat with silver stripes runs to the forest to meet up with a black Tabby male and talks a lot about turning back into kids
A orange female cat with silver stripes runs through the forest to meet up with a male cat that is black and they talk about turning back into kids
Make a one panel scene with them in a police interrogation room with the mime under a light and the detective saying “So you won’t talk, eh?!”
Do a scene where the boy asks the Seeress for a prophecy on his grades, she predicts great success but reminds him he has to study
A mermaid and a human
The ghost whispered, “You should have never come here!” One friend noticed a glowing key on the floor and quickly grabbed it. They unlocked the door and ran as fast as they could down the hill.
A black cat named roseie is a normal cat in the morning, but at night, there’s a whole different world happening. She sneaks to the city and helps everybody on their sleeping Rosie the ultimate they call her.
my milo hehehheheheheee
They dance together